The fourth part of the Wittstock cycle is not only a continuation of the cinematic chronicle of the "Ernst Lück" tricot factory, but also a first summary of the development of the company since its almost ten-year existence. Edith Rupp takes center stage. She is now a master craftswoman and has become engaged, but is still skeptical about what the future will bring.

Seventh and last Wittstock film.

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Knut Hellstein comes to commissioner Krüger's mobile home, demanding help in a dirty game in the energy business, calling a marker from the cop, who accepts unofficially as he failed to d-save Knut's father Karsten Hellstein, who ended up suicidal. Krüger soon suspects Knut being accomplice as well as victim. Krüger ends up comatose due to a fire bomb on his caravan, before he can question the key witness. Beat cop Fichte dragged him out of the flames and continues the investigation, while Krüger has visions including dead people. The case also involves a blackmailer, corruption in privatizing after the reunification of Germany and Knut's ex Jackie and her fatherless baby.

Eddie, a muscular circus performer, catch one night a burglar. It is Paul who is stealing from his wealthy sister Eveline. He needs money for his opium abuse, caused by the unscrupulous dealer Van Straaten.

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Part 3 of the Wittstock series also shows the surroundings of the textile factory. Older gentlemen in a pub reveal that two factories produced fabrics for the military here during the Second World War. In 1945, only a handful of handlooms remained. The contemporary witness does not say why. It was probably too sensitive to reveal the reason on camera in 1978: The Soviet occupying power dismantled many production facilities in the GDR after the end of the war and transported them to the home of the victorious Red Army.

Natalie has her life under control: She works in her dream job as a street worker and is happy with her boyfriend Sven, with whom she is expecting a child. He has no idea that disaster will strike soon...

A large German city at the beginning of the 1960s. This is where the well-to-do Berger family lives. Outwardly a bourgeois idyll, but behind the scenes the family is in turmoil. The relationship between father and son in particular is extremely tense. Martin Berger is seduced by the attractive Britta. It is the beginning of an affair that ends tragically. When the young man finds out that his father is also having sex with the young woman, Martin decides to kill her and also cleans up his friends who are not averse to the vices of life...

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